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Chaney Jr was now an official horror star, and Universal gave him the role of Frankenstein's Monster in The Ghost of Frankenstein (1942) when Karloff decided not to play the part again. SAN CLEMENTE, Calif., July 13 (AP)—Lon Chaney Jr., the film actor, died yesterday at the age of 67.

Friends said he had also suffered from liver problems and gout and had recently undergone acupuncture treatments to relieve pain. It was only after his father's death that Chaney began to act in films, billed by his own name. [1] He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies. My father would be horrified if he knew I was making it in the pictures and that I'm not billed as Creighton Chaney. He also had appeared as Count Dracula, a role usually associated with Bela Lugosi; as Frankenstein's Monster, created by Boris Karloff, and as the Mummy. A kinescope of the January 18, 1952 broadcast is available on DVD, YouTube, and also open to the public for viewing at The Paley Center for Media in New York City and Los Angeles. In 1937, he married Patsy Beck, a former photographic model, who survives him. "Had to do stuntwork to live. Chaney Jr's only stage appearance had been as Lennie Small in a production of Of Mice and Men with Wallace Ford. His home for many years was in the San Fernando Valley, later at Warner Hot Springs in San Diego County and then in San Clemente. He had in fact designed a swarthy, ape-like Neanderthal make-up on himself for the film, but production decisions and union rules prevented his following through on emulating his father in that fashion. His parents' troubled marriage ended in divorce in 1913 following his mother's scandalous public suicide attempt in Los Angeles. Chaney was well liked by some co-workers – "sweet" is the adjective that most commonly emerges from those who acted with, and liked him – yet he was capable of intense dislikes. Chaney was uncomfortable with the ploy and always hated the "Jr". A small outfit, Ray Kirkwood Productions, gave him a lead, The Shadow of Silk Lennox (1935). He studied makeup at his father's side, learning many of the techniques that had made his father famous. He was in a crime film, Eyes of the Underworld (1942) and the wartime shorts Keeping Fit (1942) and What We Are Fighting For (1943). In April 1948 Chaney went to hospital after taking an overdose of sleeping pills. He was in a Western Frontier Badmen (1943), then reprised his role as the Wolf Man in Frankenstein Meets the Wolf Man (1943). Over at Mascot Pictures he supported John Wayne in a serial, The Three Musketeers (1933), which was later re-edited into a film entitled Desert Command (1946). This was achieved by shooting a few frames in the full make‐up; then a slight alteration, a few more frames, further changes in the make‐up and so on. Most of the parts he played were unmemorable, often bits, until 1939 when he was given the role of the simple-minded Lennie in the film adaptation of John Steinbeck's Of Mice and Men (1939). Chaney was the main villain in a Tom Tyler B Western, Cheyenne Rides Again (1937) and was in a serial, Secret Agent X-9 (1937). The younger Chaney was born while his parents were on a theatrical tour, and he joined them onstage for the first time at the age of six months. He was posthumously awarded a Golden Palm Star on the Palm Springs Walk of Stars in Palm Springs, California on January 11, 1999. At the film's end George told Lennie once again how the two would have their own place and then pulled a trigger behind Lennie's happily nodding head. In that film, he was Lennie, stupid, unable to care for himself, protected by Burgess Meredith as George. Creighton's life changed forever when his father was diagnosed with throat cancer and died on August 26, 1930, at the age of 47. addendum. Some of the early films were “Man‐Made Monster,” “Northwest Mounted Police,” “One Million B.C.” “Billy the Kid,” “Son of Dracula,” “Calling Dr. Death,” “The Mummy's Curse,” “Strange Confession,” “Cobra Woman” and “Here Come the Co‐eds.”. He made his first stage jappearance when he was only 16 months old. Stanley Kramer said filming 1955’s “Not as a Stranger” with, from left, Lon Chaney Jr., Robert Mitchum, Broderick Crawford and Frank Sinatra was “10 weeks of hell.” Getty Images Near the end of his life, he made an appearance on "The Tonight Show" with. Chaney's first horror film, it was successful enough for them to offer him a long-term contract. He had a small role in an Abbott and Costello comedy Here Come the Co-Eds (1945), then made more Inner Sanctums: The Frozen Ghost (1945) and Strange Confession (1945). Chaney had English, French, and Irish ancestry, and his career in movies and television spanned four decades, from 1931 to 1971. Chaney Jr played Kharis the Mummy in The Mummy's Tomb (1942), another hit. He was forced into tbem.”. Even though they appeared in several films together, there was little love lost between Lon Chaney Jr and Evelyn Ankers. There was also horror, such as Dr. Terror's Gallery of Horrors (1967) and Hillbillys in a Haunted House (1967). He was almost killed by a train while filming a bank robbery scene in Jesse James (1939).[5]. It kicked off another series starring Chaney, the first of which was Weird Woman (1944). He was released from his contract with "Universal" in 1945. This made him the only actor to portray all four of Universal's major horror characters: the Wolf Man, Frankenstein's Monster, the Mummy, and Count Dracula. Chaney was then given the title role in The Wolf Man (1941) for Universal, a role which, much like Karloff's Frankenstein monster, would largely typecast Chaney as a horror film actor for the rest of his life. [1], He was honored by appearing as the Wolf Man on one of a 1997 series of United States postage stamps depicting movie monsters. Dead Man's Eyes (1944) was the third Inner Sanctum, after which he was back as the Wolf Man in House of Frankenstein (1944).

From his father, he developed skills as a makeup artist. Chaney's performance was spectacularly touching; indeed, it became one of the two roles for which he would always be best remembered.
Pillow of Death (1945) was the last Inner Sanctum. He was the only person to have played all four of the classic movie monsters: Pictured on one of a set of five 32¢ US commemorative postage stamps, issued 30 September 1997, celebrating "Famous Movie Monsters". Originally referenced in films as Creighton Chaney, he was later credited as "Lon Chaney, Jr." in 1935, and after Man Made Monster (1941), beginning as early as The Wolf Man later that same year, he was almost always billed under his more famous father's name as Lon Chaney at the studio's insistence. The series ended after 39 episodes. But he was also aware that the famous name could help his career, and so he kept it.
Lennie liked the feel of smooth things, but he was so clumsy in his strength that he killed them, a bird, a mouse, a white‐andbrown puppy and finally Mae, the foreman's wife, who was soft and had silky hair. The trouble with most of the monster pictures today is that they go after horror for horror's sake. He later made Charlie Chan in City in Darkness (1939) and Frontier Marshal (1939). Other actors honored in this set of stamps, and the classic monsters they portray, are Lon Creighton was born in Oklahoma City, Oklahoma Territory, the son of then-stage performer Lon Chaney and Frances Cleveland Creighton Chaney, a singing stage performer who traveled in road shows across the country with Creighton. According to.

Good long speed for the position. For instance, he and frequent co-star Evelyn Ankers did not get along at all despite their on-camera chemistry. [15], In 1999, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. Hal Roach used him in his third-billed character role in One Million B.C. His father took him outside to an ice-covered lake, broke the ice and put him into the ice-cold water to jump-start his breathing. Many articles and biographies over the years report that Creighton was led to believe his mother had died while he was a boy, and was only made aware she lived after his father's death. There's too much of that science-fiction baloney. (1940) as Victor Mature's caveman father, Chaney began to be viewed as a character actor in the mold of his father. [citation needed]. . There's no motivation for how monsters behave. He was at various times a plumber, a meatcutter's apprentice, a metal worker, and a farm worker. Then it was back to Westerns – Young Fury (1965), Black Spurs (1965), Town Tamer (1966), Johnny Reno (1967), Apache Uprising (1967), Welcome to Hard Times (1967) and Buckskin (1968). American character actor whose career was influenced (and often overshadowed) by that of his father, silent film star Lon Chaney. During this era, he starred in Jack Hill's Spider Baby (filmed 1964, released 1968), for which he also sang the title song. He wanted to reprise his father's role of Quasimodo in, Like his father, Chaney created his own make-up for the role of Akhoba in, He made headlines in the 1960s when he criticized "Fractured Flickers" for desecrating old film classics like his father's. His son, Lon Chaney Jr., who died in 1973, was best known for his role as 'The Wolf Man' in 1941. In fact, he was born, in his own words, "black and dead". He was in a Bob Hope comedy My Favorite Brunette (1947), supported Randolph Scott in Albuquerque (1948) and had a support in The Counterfeiters (1948) and played a villain in 16 Fathoms Deep (1948) for Monogram Pictures, a remake of his 1934 film. Kramer told the press at the time that whenever a script came in with a role too difficult for most actors in Hollywood, he called Chaney. That goes for my father, Boris Karloff, myself and all the others. The film was Chaney Jr's first major role in a film and was a critical success for him. This is a list of known Lon Chaney Jr. theatrical films broken down by decade. The process took some 24 hours for the few minutes on the screen in which the dying wolfman became an ordinary citizen. One of his best known roles was a 1952 live television version[unreliable source?] The illnesses he suffered at the end of his life may have been partially the result of this. Never as versatile as his father, he fell more and more into cheap and mundane productions which traded primarily on his name and those of other fading horror stars. Like his father, he often refused requests for autographs, though when he did sign he usually wrote "Luck, Lon Chaney", using a very large "L" as the first letter for both "Luck" and "Lon". His bread-and-butter work during this decade was television – where he made guest appearances on everything from Wagon Train to The Monkees – and in a string of supporting roles in low-budget Westerns produced by A. C. Lyles for Paramount. He lent his name to a cafe which was embroiled in a liquor scandal.[4]. His grandson, Ron Chaney Jr, was working on completing this project.[12]. RKO gave him the starring role in a serial, The Last Frontier (1932). |  In 1957, Chaney went to Ontario, Canada, to costar in the first ever American-Canadian television production, as Chingachgook in Hawkeye and the Last of the Mohicans, suggested by James Fenimore Cooper's stories. At Republic he featured alongside Gene Autry in The Singing Cowboy (1936) and The Old Corral (1937). |  As a youngster, despite his father's fame, he worked in various jobs—as a butcher boy,a boilermaker, a plumber and a fruit picker. Patient runner with good vision and verified explosion when he sees green grass. Mrs. Chaney, his wife of 36 years, declined to disclose the cause of death or to tell the funeral plans. Was possibly not as tall as is often reported.

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